The benefits of knowing my own code and the intimate relationship that I have developed with it have time and again proven useful. Not least when I’m approached by clients and 3rd parties to implement their own code and / or extract data from the game. Simple modifications and tweaks are simpler because I know my code inside out and the upside to all of that is of course that such changes are quick. Or at least quicker than they would have been if I’d had to first figure out how the code works.
There’s another huge benefit to writing and understanding my own code which for me comes in to its own when I’m considering a new game. I often daydream about a game or take inspiration from the most random things. I’ve got sketch books full of ideas and documents on my computer full of code snippets and high concepts.
To try and explain I’ll briefly explain the process of developing one game.
Some time last year I was driving home after a long journey across country. Not too far from home I remember pulling off the motorway and as I approached the traffic lights on the slip road I watched the striped yellow lines on the road. As I slowed to stop I remember clearly thinking how cool it would be to create a game in which the player controls a jet fighter that flies low over a striped landscape. Inspired by the illusion of the lines cascading beneath the car I turned over in my mind how the code might look. It didn’t take much to figure it out and that game turned out to be Distant Orbit (pictured).
I could prove the concept quickly because I knew how to adapt my code base to implement the stripe objects that form the planet floor. Better yet I visualised the game loop and could understand how to scale the alien bugs as they emerged over the horizon. There was nothing overly complicated in it and using the same approach I could quickly implement the tower that forms the player’s primary target in the game. The thought processes in understanding scale rates and how to manipulate such events per game “tick” came to me pretty quickly and because I understood the underlying code that handles the drawing and moving / scaling of objects I knew pretty much how the code would look.
What’s valuable to me is being able to take a concept, process it in my mind (and therefore visualise it on screen) and then move quickly in to code. It’s only by being able to do this that I can quickly dismiss an idea or take it to the next step – design. I like to have one quirky feature per game: striped floors, scrolling terrain, 3D trench, starfield; and it’s generally this feature that I’m focusing on at the concept stage.
Much of this is always done using “defaults” for sprite art and defaults for audio. All objects have default behaviours as sprites in my code and adapting them to behave differently is 5 minutes work. At least to prove the concept. Fine-tuning can happen much later on as part of a balancing process.
So in short it’s crucial for me to be able to very quickly get in to coding. When I have a vision for something I spend a short amount of time poring over the approach that I’ll take and then it’s all about cutting code.
In future posts I’m going to break with my own tradition of not sharing my code. You can see for yourself just how ugly code can render some pretty cool looking arcade games :)